I read the Economist. I don't understand everything I read, but I can feel my cranial capacity expanding every time I finish an issue. If nothing else, it's very well written. I find the New Yorker to be hit and miss while the Economist is so dense there is bound to be something pretty interesting.

On my DVR list are shows which I ingest and delete almost immediately: PTI, House.
Then there are shows that have rotted in the queue for months now: Chappelle, Charlie Rose, Office, My Name is Earl.
Then there are shows that I just recently started to record: Robot Chicken.

I eat a few regular podcasts: Slate's Political Gabfest is consistently entertaining, Ebert and Roeper is always satisfying, CNet is hit or miss and nowadays I ignore most of NPR's Story of the Day. I used to regularly listen to This Week in Tech but now I find those guys to be fairly out of touch, catering to the grumpy geek mostly. I really appreciate the synopsis text blurb which I can browse before deciding whether an individual podcast is worth listening to.

There are two great animation podcasts: The Animation Podcast and Spline Doctors. Podcasting is a great medium for animators to share information, interviews and experiences. For some reason animation knowledge is not well-documented and this technology is beginning to correct that.